Redditis a network of communities where people can dive into their interests, hobbies and passions. There's a community for whatever you're interested in on Reddit. MyBlood Runs Blue.By Stacy Eaton. This was a book given me by the author, through World Literacy Cafe for review. This was a very exciting book, but would be hard to put into a specific Genre. It's about a policewoman, it has Vampires, romance, re-incarnation, and oh yesA Serial Killer! Stars Luna Wedler, Zoë Pastelle Holthuizen, Regula Grauwiller, Georg Scharegg, Lou Haltinner, Yael Meier, David Oberholzer, Una Rusca, Timon Kiefer, Benjamin Dangel, Martin Rapold, Rachel Braunschweig | Written by Lisa Bruhlmann, Dominik Locher | Directed by Lisa Bruhlmann There has been more talk than ever about women in the film Tag blue my mind review indonesia. Film Blu Barat Sexxxxyyyy Bokeh Full Sensor Jpg Gif Png Bmp Online. By Agung Panetra Posted on July 27, 2022. 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TangerangWatsons 3Cushion / Bantal Sofa BLUE MY MIND SelatanGlerry Home DecorTerjual 1PreOrderSally Hansen Salon Pro Gel Nail Polish Lacquer, Blue My Mind, 50 rbJakarta UtaraExbordersPreOrderChina Glaze Electric Nights Lacquer, DJ Blue My Mind, Fluid UtaraExborders By MetascoreBy User Score It is the first day at a new school for teenaged Mia Luna Wedler. At lunch break, a girl shyly tries to make friends. But the pouty, pretty Mia, who is just days away from her first period and is perhaps taking this new start as an opportunity to better her social standing, has her eyes on a different clique. Wild-child Gianna Zoë Pastelle Holthuizen, all silky waist-length hair and bare midriff, is the sexually precocious center of a trio of girls orbited by an undifferentiated constellation of good-looking but oafish boys that will soon become a quartet with Mia’s inclusion. The setup for actor-turned-writer/director Lisa Brühlmann’s debut feature is beautifully drawn and remarkably well-performed especially by Wedler and Holthuizen, but it’s hardly anything we haven’t seen in a hundred coming-of-age tales before. But then suddenly there’s Mia standing over her living room tank of tropical fish, scooping them alive and wriggling into her mouth, chewing and swallowing, her eyes glassy and manic. At first, the incipient symptoms of Mia’s — how to put it — disorder, are cleverly paralleled with those of the more humdrum psychological issues that can plague teenage girls on the cusp of maturity. She gulps down a glass of salt water a trick bulimia sufferers use to induce vomiting; she lashes out at her mother Regula Grauwiller with a physical force that she doesn’t seem to know she has; she develops a sudden awareness of a physical abnormality that her doctor insists she must have had since birth, and cuts away at herself in a way that explicitly evokes self-harm. And all of this exists amid a haze of MDMA, benzedrine, pot, and alcohol that becomes headily entwined with parental rebellion, sexual competitiveness, and perhaps, it is hinted, physical attraction between the girls, as they party and shoplift and dare each other on to ever more dangerous behavior. Up to a point, the central analogy works rather brilliantly. The menacing yet dreamlike tone grounds the film’s dark-fairytale transformation, flattered by DP Gabriel Lobos’ elegant, sinuous camerawork and blue-gray aqueous palette that somehow retains an element of underwater grace even when lit in the druggy hot-pink tones of a late-night party turned shockingly predatory; the low-key electro-burble of Thomas Kuratli’s sparingly used score; and Patrick Storck and Gina Keller’s pristine sound design, which features the dripping and rushing of water as an ever-present mnemonic. As the conductor of this particular symphony, Brühlmann shows a thematic control unusual for a neophyte, making the film’s gradual descent into all-out body horror immersively discomfiting. As Mia’s condition worsens, and she struggles to conceal it from Gianna and the others, “Blue My Mind” even recalls Julia Ducournau’s recent femme-centric horror touchpoint “Raw,” only without that film’s macabre sense of humor. Instead, this is a sincere yet nightmarish bedtime story that may have trace DNA from a famous Hans Christian Andersen folktale, but in its admirable commitment to the grotesque feels more like a modern-day Brothers Grimm fable. But at some point the allegory slithers out of Brühlmann’s grasp, and grows too large for its tank. Rather like its misleadingly punny title, “Blue My Mind” wants to work on multiple levels, but falters to become a slightly unconvincing, if well-made, single-entendre. Mia’s problems become less relatable as they become more real, her fears of her own “freakishness” become paradoxically less interesting the more they’re revealed to be based in physical fact. And so the story’s allegorical power is lessened as it plays out alongside the very things — like sexual confusion and body dysmorphia — that it’s supposed to be an allegory for. Our heroine is contending with all the usual pressures of girlhood and has the bruised legs, syndactyly, and shedding skin of her pesky metaphor to deal with, too. The demons of adolescence that so much of the imagery evokes are powerful and dangerous because they are imaginary. Anorexia, negative body image, self-harm, and the joyless promiscuity and sexual degradation that Mia pursues are the kinds of heartbreaking punishments that young girls inflict on their bodies for differing, in ways that often only they perceive, from some notional ideal of womanly perfection. Everybody feels like a freak at this age and it doesn’t seem an especially helpful conclusion to have the story confirm that freakishness, and to suggest that the solution for Mia is self-imposed exile from the people who, however distractedly, love her. Having created a striking and potent allegory in “Blue My Mind,” and explored it with grace, seriousness, and exceptional craft, Brühlmann doesn’t seem to know quite what to do with it by the end, except to suggest that the cost of self-acceptance is vast, eternal, oceanic loneliness. Film DTV direct-to-video de Lisa Brühlmann 1 h 37 min 24 août 2018 FranceGenre FantastiquePays d'origine SuisseFiche techniqueMia, 15 ans, vient de débarquer dans une nouvelle école de la banlieue zurichoise. Comme toutes les filles de son âge, son corps change. Convaincue que ses parents lui cachent sa vraie nature, elle tente de noyer son mal-être dans les drogues et le sexe, mais rien n’arrête son inquiétante métamorphose. Avis revue et corrigé en critique de ma part ça faisait longtemps !il y a 3 ans9Critique positive la plus appréciéeÊtre une sirène ou ne pas êtreNon ! Vous ne rêvez pas ! C'est bien Cosmic M qui reprend du service en tant que critique ! Mais qu'est-ce qui s'est passé depuis ? Presque un an sans rien écrire voir un an...vu que mes 2 dernières...RecommandéesPositivesNégativesRécentes If you think you’ve seen everything the coming-of-age narrative style has to offer, you haven’t seen director Lisa Bruhlmann’s fantastical, surreal debut film, Blue My Mind, which premiered at IFC’s What the Fest!? tonight. The story follows Mia Luna Wedler, a 15-year-old late-bloomer who is trying to make an impression on the cool girls at her new school. After a few fruitless attempts, Mia finally catches the attention of Gianna Zoë Pastelle Holthuizen, the leader of the clique and a lawless party girl with whom Mia is completely fascinated. As she earns her way into Gianna’s good graces, Mia must also come to terms with experiencing puberty and its effects on her rapidly transforming body. With these changes come new urges, desires, and disturbing, unsavory habits. Mia is coming into her own, despite her many efforts to thwart the terrifying process. Although Blue My Mind doesn’t completely reinvent the wheel, the story can only be described as unique. A mix of Ducournau’s Raw sans cannibalism with a healthy dose of Hardwicke’s ever-controversial Thirteen, Bruhlmann manages to weave a harrowing, compelling tale of self-discovery, friendship, and trying desperately to appear average despite glaring, bizarre differences. Relatedly, Mia experiences several rites-of-passage we’ve seen in countless films before, yet Blue My Mind feels as unpredictable as if this were the first story of its kind. While Blue My Mind is a drama at its core, the film introduces enough body horror elements to keep genre fans satisfied. Beyond that, the terror is not found in the film’s imagery. Instead, it stems from the anxiety the audience shares with Mia as she discovers her body may be taking on unexpected qualities, as well as finding herself in increasingly dangerous situations. We are taken on a gripping ride of teenage alcoholism, drug abuse, risky sex, and excessive partying, and through it all we grow to care for Mia more than she cares for herself. Not to be overlooked is Luna Wedler as the extraordinary Mia. Wedler succeeds in maintaining a key balance between vulnerability and fearlessness. There are moments when we can see the scared girl behind Mia’s cool facade, and moments, too, where we see the headstrong child beneath the mature exterior. Mia is just trying to live life on her own terms, in spite of nature’s plans for her, and Wedler gets this point across admirably. This role could have been laughable and over-the-top if left to the devices of a less savvy actress, but Wedler takes on Mia’s challenges with no signs of reservations, delivering on all counts. Not only is she believable, but she is engaging and mysterious, keeping viewers tucked snugly in her pocket throughout the film. Rich cinematography although a bit too on-the-nose with the use of the color blue comes together with excellent special effects and makeup to bring us this inspired piece of filmmaking. Visually, Blue My Mind is equal parts beautiful and wonderfully repulsive. Even in scenes where not much is happening, such as a moment when the two girls are passed out on a train platform, the shots are composed with style, care, and attention to detail. The eyes of those who see this film will, undoubtedly, be wandering around the screen, taking in the artistry of each frame. Blue My Mind is a prime example of a film which transcends genre and succeeds no matter which avenue it explores. Mia’s story is strange, fascinating, and, at times, brutal. Those open to an outlandish twist on a body horror-lite film will be captivated by this stunning debut. The film is premiering at IFC’s What The Fest!? on March 31, 2018 Warning Trailer contains a major plot spoiler. Masa remaja memang sulit, terutama bagi gadis remaja yang berjuang dengan perubahan dalam tubuh mereka dan mencoba menemukan norma baru ketika mereka berkembang menjadi wanita muda. The Drama / Fantasy Blue My Mind , sebuah kisah yang dibuat oleh seorang gadis remaja yang benar-benar unik. Tercerabut dari semua yang dia tahu dan pindah ke kota baru berkat pekerjaan ayahnya, Mia Luna Wedler adalah remaja Swiss berusia 15 tahun yang mencoba untuk mengatasi situasi itu. Cepat untuk beradaptasi, pada hari pertamanya di sekolah barunya, Mia menatap sekelompok pengacau berpakaian hitam yang dipimpin oleh Gianna Zoë Pastelle Holthuizen yang bersemangat. Meminta api untuk rokoknya dan menempa persahabatan yang agak genting, Mia menjadi yang keempat dalam kelompok gadis-gadis nakal Gianna, yang juga menampilkan Nelly Lou Haltinner dan Vivi Yael Meier. Di rumah, Mia berjuang melalui perubahan yang dibawa oleh tubuhnya yang sedang berkembang dan sementara beberapa lainnya benar-benar normal, yang lain agak aneh. Hal ini dapat dimengerti menyebabkan emosi tertinggi dan terendah, dan hubungan antara Mia dan ibunya, Gabriella Regula Grauwiller adalah yang paling lemah. Untuk bagiannya, Ayah Martin Rapold mencoba untuk mencintai dan memahami, tetapi dia bingung ketika hal itu terjadi pada sikap baru pemberontak Mia. Mia mengembangkan minat dalam pornografi dan renang, mengutil, minum, berpesta, dan menjelajahi seksualitasnya. Tidak ada salahnya bahwa para gals memiliki trio anak laki-laki, Roberto David Oberholzer, Jim Benjamin Dangel, dan Alex Timon Kiefer, untuk undangan pesta dan seks, yang mereka sebut "bouncing." Ketika para wanita mulai tumbuh lebih dekat dan secara tidak sengaja menjadi lebih liar, kondisi Mia tampaknya semakin menurun dari apa yang "normal". Dengan kesehatannya tergantung pada keseimbangan dan tindakannya meningkat menuju kekacauan, dia harus membuat beberapa penemuan diri yang penting dalam kisah yang benar-benar ganjil. Baca juga sinopsis film Blue World Order. Dengan durasi 97 menit, Blue My Mind Ditulis dan Disutradarai oleh Lisa Brühlmann Flügge Short 2011 , Peripherie 2016 , dan merupakan debut nya dalam film panjang untuk sutradara wanita yang luar biasa ini. Film ini disajikan dalam bahasa Swiss-Jerman dengan teks bahasa Inggris, dan tidak ada yang hilang dalam terjemahan. Beraliran sebagai Drama Fantasi, Blue My Mind adalah benar-benar hal-hal ini sebuah film yang diatur dengan indah yang berbunyi sebagai Drama yang datang dari zaman dengan unsur-unsur fantastis. Namun, semakin sedikit Anda tahu masuk ke dalam film, semakin Anda cenderung untuk larut didalamnya. Blue My Mind berjalan dengan benar adalah dalam perhatiannya yang indah terhadap detail dan kamera selalu bekerja; Bahkan ada penekanan halus pada warna biru dan hijau, memberikan isyarat visual yang cerdas untuk memandu pemirsa. Tentu saja, semua hal ini dimungkinkan oleh keterampilan akting para pemain ensemble yang luar biasa, dengan Wedler Mia, Holthuizen Gianna, dan Grauwiller ibu Mia menahan sebagian besar pertunjukan utama. Studio Uncork'd Entertainment Sutradara Lisa Bhurlmann Penulis Lisa Bhurlmann Produser Katrin Renz, Stefan Jäger Pemain Luna Wedler, Yael Meier, Zoë Pastelle Holthuizen, Lou Haltinner, Georg Scharegg, David Olberholsel, Timon Keifer, Regula Grauwiller

blue my mind review indonesia